Unfortunately, Manrope lacks an italics, so it won’t be topping this list any time soon. The underused Manrope is quite similar to Circular.īoth are geometric sans serifs with sliiightly closed-off counters. However, by using the alternate “g” character with font-feature-settings: "ss03" 1 (here’s more on how to do alternate character styles in Figma and CSS), DM Sans makes a much better free alternative to Circular. With one small modification, DM Sans is an amazing stand-in for Circular.ĭM Sans comes with a very distinctive “g” when you use it out-of-the-box. What it’s got: 7 weights, no italics also available as a variable font Figtree’s “g” has a shorter descender, etc.Īs far as usage goes, please note Figtree lacks italics… for now! It doesn’t have the curved “t” so characteristic of Circular – nor the rising bowl of Circular’s “a”. In fact, the extraordinary quality of Circular (combined with its high price tag) is one of the things that made me want to create Figtree.įigtree certainly won’t confuse any typophiles. Figtreeįigtree – a free font designed by yours truly – shares a lot of DNA with Circular. the gaps in “a”, “c”, and “e” – which are good for readability), and generally wider round letterforms. Honestly, the lack of differences is a bit disconcerting, but close inspection shows +Jakarta features a slightly taller x-height, more open counters (e.g. Circular’s most distinctive letterform looks basically identical in +Jakarta. The virtually unknown +Jakarta Text is the overall best free alternative for Circular.Īnd let’s face it – it’s all about that “t”. You’re reading Free Font Alternatives: The Ultimate Guide. PF DIN Text Sans Serif Font is the demo version, free for personal use only.If you’re looking for free alternatives to Circular, here are 5 of the highest-quality look-alikes and similar fonts.įor each, I’ll mention the advantages, disadvantages, and why you might choose it. All weights support Latin, Central/Eastern European, Romanian, Baltic and Turkish, with 18 advanced opentype features including small caps. The standard STD version is more economic. All weights support Latin, Cyrillic, Greek, Central/Eastern European, Romanian, Baltic and Turkish, with 20 advanced opentype features including small caps. There are 2 versions to choose from: The PRO version is the most powerful. Additionally, every font in the Pro series is powered by 270 very useful symbols for packaging, environmental graphics, signage, transportation, computing, fabric care. The whole PF DIN Text type system (with normal, condensed and compressed styles) includes 45 weights from Hairline to Extra Black including true-italics. It was quoted by Publish magazine as being “an overkill series for complex corporate identity projects”. Ever since its first release, it has been used in diverse editorials, packaging, branding and advertising campaigns as well as a great number of websites. With its vast array of weights, the extended language support, but most of all its meticulous and elaborate design, it has proved itself valuable to numerous design agencies around the world. The first set of fonts was completed in 2002 as a group of 3 families which included condensed and compressed versions. Its letterforms divert from the stiff geometric structure of the original and introduce instead elements which are familiar, softer and easier to read. It was based on the original standards but was specifically designed to fit typographic requirements. Parachute® was set out to fill this gap by introducing the PF DIN series which has become ever since the most comprehensive and sophisticated set of DIN typefaces. By early 2000, it became apparent that the existing DIN-based fonts did not fulfil the ever-increasing demand for a diverse set of weights and additional support for non-Latin languages. Ever since its first publication in the 1930’s, several type foundries adopted the original designs for digital photocomposition. Unfortunately, these early letters lacked elegance and were not properly designed for typographic applications. The purpose of the original DIN 1451 standard was to lay down a style of lettering which is timeless and easily legible. This font is a geometric sans serif family characterized by its simplicity and extensive functionality.
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